Ansel Adams produced some of the century's truly memorable photographic images and helped nurture the art of photography through his creative innovations and peerless technical mastery. This handbook - the first volume in Adam's celebrated series of books on photographic techniques - has taught a generation of photographers how to harness the camera's artistic potential. It rem...(展开全部)

Drawing on interviews with the master photographer himself, this is a fascinating volume repatriates some of Karsh's most iconic portraits with the stories behind them. In August and September of 1988, Yousuf Karsh's long-time assistant, Jerry Fielder, sat down with the master photographer and taped over nine hours of recollections of the many portrait sessions he'd experienced...(展开全部)

Beautifully reproduced and cleanly presented, the four hundred images in this volume represent the finest work of a pre-eminent landscape photographer. The photographs are arranged chronologically into five major periods in order to convey Adams's maturation as an artist - from his first photographs in 1916 to his last great photograph in 1968. ANSEL ADAMS' 400 PHOTOGRAPHS is i...(展开全部)

Ansel Adams (1902-1984) produced some of this century's truly memorable photographic images and helped nurture the art of photography through his creative innovations and peerless technical mastery. This handbook- the second volume in Adams' celebrated series of books on photographic techniques- has taught a generation of photographers how to use film and the film development p...(展开全部)

For the majority of his decades-long career, Norman Rockwell relied on a camera to help him render the iconic scenarios born in his imagination. Photograph by photograph, he painstakingly assembled the specific features he sought for his envisioned illustration, projecting whole or partial pictures of amateur models, objects and settings onto drafting paper, and from there, ont...(展开全部)

Photographer, writer, publisher, and curator Alfred Stieglitz (1864-1946) was a visionary, far ahead of his time. Around the turn of the 20th century he founded the Photo-Secession, a progressive movement concerned with advancing the creative possibilities of photography, and by 1903 began publishing "Camera Work", an avant-garde magazine devoted to voicing the ideas, both in i...(展开全部)

菲利普•斯塔德曼是伦敦大学学院城市与建筑形式学教授。他接受过建筑学教育，曾在剑桥大学及英国开放大学任教。他曾出版几本有关建筑当中的几何形式和计算机辅助设计的书籍。在20世纪60年代，他编辑并出版了《形式》[Form ]杂志，这是一份艺术季刊；他还和其他作者合作出版了一本有关动态艺术的书籍。1989年，他帮助伦敦的一个展览制作了四部有关列奥纳多•达•芬奇作品的数码动画。他也曾参与其他有关透视几何与艺术史的展览、电影与书籍制作。《维米尔的暗箱》是斯塔德曼对维米尔这位荷兰艺术家长达20年的痴迷的成果。